In the realm of Godzilla-related projects, audiences seldom flock for the sake of actors and drama. This is precisely the challenge that “Monarch: Legacy of Monsters” presents to its viewers. Stretching itself into a multi-generational saga available on Apple TV+, the series teeters between being a Titan-ic soap opera and a true monster spectacle. While it manages to be mildly engaging, it lacks the awe-inspiring city-leveling mayhem that the iconic monster is renowned for.

The most intriguing element of “Legacy of Monsters” lies in its attempt to construct a sprawling mythology that spans decades. At the center of this narrative is the character of Lee Shaw, portrayed in the present day by Kurt Russell and in the 1950s by his son, Wyatt Russell. The uncanny resemblance between the two actors adds an enigmatic layer to the story, although the timeline seems somewhat perplexing – the elder Shaw should be well into his 90s, which adds to the slow-building mystery.

In the 1950s, the younger Shaw works for a fledgling Monarch, serving as a military liaison assigned to protect a married pair of scientists, William and Keiko Randa (played by Anders Holm and Mari Yamamoto, respectively). Their mission revolves around investigating unusual phenomena linked to the existence of Titans, or the giant creatures within Godzilla’s genus. Shaw’s emotional involvement with Keiko complicates the mission, while they also grapple with military leaders who remain skeptical about their work. This storyline proves to be reasonably engaging, but it alternates with a modern narrative involving Keiko’s adult grandchildren (portrayed by “Fast & Furious” co-star Anna Sawai and Ren Watabe), who are brought together by a long-held family secret before being thrust into the world of colossal monsters and the looming threat of widespread destruction.

Regrettably, this contemporary part of the story doesn’t quite live up to expectations, largely due to the lackluster nature of the characters involved. The 10-episode series receives a much-needed boost when the elder Russell eventually makes his appearance, reminiscent of a world-weary Indiana Jones. However, “Monarch” would undeniably benefit from a more substantial focus on monsters and less on the human element. This may be attributed, in part, to budget constraints, as even a lavish TV series struggles to compete with recent Imax-worthy Godzilla/Kong productions in terms of sheer spectacle.

The title itself, “Monarch: Legacy of Monsters,” hints at what quickly becomes evident – the series caters primarily to an audience deeply invested in the intricate mythology of the MonsterVerse and the enigmatic organization tasked with safeguarding the world. This might resonate best with those who watch such content for its action and visual extravagance.

For the latter group, “Legacy of Monsters” is likely to offer mild entertainment. However, even with Apple’s substantial investment, it too often feels like a massive confectionary treat with a Godzilla-shaped void at its core.

“Monarch: Legacy of Monsters” serves as a testament to the enduring fascination with Godzilla and the MonsterVerse. While it attempts to weave a complex narrative that spans generations, it struggles to strike the right balance between human drama and epic monster action. For viewers seeking awe-inspiring city-leveling mayhem, “Legacy of Monsters” may leave them wanting more of the iconic giant creatures and less of the human drama.